The cynical view of human behavior shared by two new movies, Phantom Thread and Downsizing, was to be expected. They represent the culmination of a cultural change that began as the 1980s indie film movement shifted control of American film production away from the major studios to the entrepreneurship of individual (not necessarily "independent") outsiders. Filmmakers who prided themselves on making alternative narratives, different from the Hollywood convention, rang eccentric variations on those traditions ...
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