Dear Superfluous Readers,
Albert Jay Nock was one of the great editors of all time, from a writer's perspective. Or rather, from a good writer's perspective.
As an editor, by his own admission he only brought two things to the table: his nose for talent and not getting in the way. "I can smell out talent as quickly and unerringly as a high-bred pointer can smell out a partridge," he boasted. And he defined the job of an editor as "to do nothing, and [one] can’t set about it too soon or stick to it too faithfully."
When he was running The Freeman (the first one), a young writer came to look for writing opportunities. The writer-on-the-make asked if Nock had any "sacred cows" that could not be violated in Nock's pages. "Yes," he recounted in his memoir, "we had three of them, as untouchable and sacred as the Ark of the Covenant."
"'The first one,' I said, 'is that you must have a point. Second, you must make it out. The third one is that you must make it out in eighteen-carat, impeccable, idiomatic English.'
"'But is that all?' the young man countered.
"'Isn't it enough for ...
| | | April 06 2018 | | | | |
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| | | Kevin Williamson, Thought Criminal Jonah Goldberg Dear Superfluous Readers, Albert Jay Nock was one of the great editors of all time, from a writer's perspective. Or rather, from a good writer's perspective. As an editor, by his own admission he only brought two things to the table: his nose for talent and not getting in the way. "I can smell out talent as quickly and unerringly as a high-bred pointer can smell out a partridge," he boasted. And he defined the job of an editor as "to do nothing, and [one] can’t set about it too soon or stick to it too faithfully." When he was running The Freeman (the first one), a young writer came to look for writing opportunities. The writer-on-the-make asked if Nock had any "sacred cows" that could not be violated in Nock's pages. "Yes," he recounted in his memoir, "we had three of them, as untouchable and sacred as the Ark of the Covenant." "'The first one,' I said, 'is that you must have a point. Second, you must make it out. The third one is that you must make it out in eighteen-carat, impeccable, idiomatic English.' "'But is that all?' the young man countered. "'Isn't it enough for ... Read More
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